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You have such a wide range of colors that can be produced from this instrument, that it encourages playing it very hard and very soft. Why would that be, I asked myself, when I’m playing the same keyboard as I’ve been playing for the last three years? The answer lies in the expressiveness of the 30 velocity layers.
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As much as I’ve practiced on my expensive and very well made keyboard since owning it, after putting the Classic EP-88s through it’s paces (and it really is addictive)I woke up with sore arms, forearms and fingers. George Duke Soul Treasures Scarbee A-200 Scarbee Clavinet/Pianet Scarbee Mark 1 Vintage Organs. Rhodes is all about honking it, ghost noting it, and everything in between, and that’s what’s missing in all the Rhodes emulations I’ve played to this point, and why I was looking for yet another Suitcase, problematic as they are. You don’t play a Rhodes the way you play classical piano, with an attempt to get all the notes to be very even or finely graded. Already famous as a mix sitter against a wall of guitars, the 4003 greatly improved the bass response of the 4001s neck pickup to give it the balanced tonal response it has become famous for.
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It’s the myriad gradations you can get from it. SCARBEE RICKENBACKER® BASS is based on the Rickenbacker® 4003, released in 1980 as the successor to the 4001 model that had been in consistent use since 1960. *'Horizontal Release Technology' - release samples are chosen from a wave pool depending on how long a key has been held - allowing a note played staccato to create a release tone different from a note which is sustained for a longer period.But, a Rhodes is way more than the basic tone. The flexible KONTAKT interface also contains a built in FX unit to further enhance its versatility and usability, and includes classic effects such as reverb, chorus, phaser, amp simulation, distortion auto-wah, pan, compression, delay and tremolo. GET THE FEELING The team at Scarbee recorded over 2,000 samples in 24-bit resolution with each of the 64 keys sampled at 16 different velocities.
Scarbee a 200 plus#
Laurent Bonnet s'intresse plus particulirement au Scarbee A-200 contenu dans le. With adjustable original instrument noise as well as the inclusion of Horizontal Release Technology*, this KONTAKT Instrument preserves the spirit of the original - including its charming flaws and idiosyncrasies. The SCARBEE A-200 was derived from Scarbees legendary 'Edgy Electric Piano'. Extrait de la formation Matrisez Komplete 10, les instruments acoustiques. No extra EQ, tube saturation or compression was used during recording in order to provide an ultra-realistic sound and feel.
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The team at Scarbee recorded over 2,000 samples in 24-bit resolution with each of the 64 keys sampled at 16 different velocities. The SCARBEE A-200 was derived from Scarbee's legendary "Edgy Electric Piano". Through careful study and thorough restoration/setup he aims to capture the "soul" of the instrument and balances sound, playability and post-editing for a perfect match at the forefront of sampling technology. Instead of offering a 'grab bag' of many instruments which have been sampled to an 'acceptable' level, Thomas Skarbye focuses on a single instrument rendered to a level of detail previously unavailable to sample users. The distinctive sound of the original A-200 was much loved by pop and rock bands in the 1960s and 70s and has recently found favor with a whole new wave of pop, indie and jazz and electronic artists. Reflektor, FM8, Absynth 5, Massive, Reaktor Spark, Monark, Reaktor Prism, Retro Machines MK2, Scarbee Mark I, Scarbee Clavinet/Pianet, Scarbee A-200. The character of the SCARBEE A-200 ranges from soft and sweet to a more biting, overdriven sound when played harder. This KONTAKT Instrument delivers an unrivalled reproduction of one of the most sought-after electric pianos.